Photos by Sevastra Photography.
The Emerge Film Fest was last weekend and our film Detour was nominated for Best Short Film!
They organized a great event and we were really honored to not only have our film shown but to be nominated. We saw a lot of fantastic films and met some really cool people. Well done, Emerge!
All photos by Sevastra Photography (except the blurry brick one), check out her other work!
When I first started watching Mad Men, I hated it. The way that sexism in the late 1950s and early 1960s was portrayed was so real and so relatable to modern issues women face and our history of the workplace, I couldn't separate the rawness from the masterfulness of it. The show tackles these issues in a fictional world set in 1960s Madison Avenue that no one had seen portrayed before. Once I was able to set myself apart from it, I realized how brilliant the show is, and my hatred soon began filtering in on one person: Don Draper.
I hate Don Draper, but it's a complicated hatred. I’ll use “hatred” in a broad, vague way. We’re talking about a fictional character so I don’t mind using such a strong term. He's a boozin', cheatin', ego-maniac. But if you remember, he's the only man in the show who's been consistently supportive of women, in his own, complicated way.
His marriage to Betty is a 1950s facade--he has the perfect life, with the (seemingly) sweet blond who does whatever he says, a woman locked inside a prison she can't get out of without Don talking to her therapist and not allowing her to follow her modeling dreams. Yet, every woman he has had an affair with (which is a lot, we'll be here for days if we go over the entire list) have all been independent, strong, intelligent women.
Let's take a stroll down Don Draper Lane:
These women are anomalies of the time--or at least within the Mad Men "universe." There were others as well (the flight stewardess who he had a one-night stand with, Candace the prostitute, Bethany the young actress, Allison his secretary and Sylvia Rosen), but these accomplished women were the ones he had to try the hardest to seduce. The dichotomy of Don being attracted to and appreciating the beauty of a strong, independent woman and yet being the biggest womanizer east of the Mississippi makes me want to scream at the TV "You're disgusting!" and then "But thanks for valuing intelligence!" Is he trying to take power away from these women by seducing them and then destroying and sabotaging his relationships with them? Is it a reflection of the time? Or, outside of his marriage, is he searching for his female equal within a social constraint that doesn't allow them to be his equals? Enter: Peggy Olson.
Peggy is Don's protege, and for many seasons, his only true friend. When he wasn't being an alcohol-abusing jerk, that is.
Don sees himself in Peggy, and it's no secret--he's told her this. The narrative of Don and Peggy throughout the series is, for me, a central story. The central story. It's two generations clashing together, 1950s man and progressive 1960s woman, it's two incredibly creative people with nothing else in their lives but their work, and therefore, each other. In many ways, they are representative of the same person, or a ying and yang. The season I felt was the least engaging for me was season 6 when Peggy and Don barely spoke to each other or were even in physical proximity to each other. The episode The Suitcase (which I previously wrote about) was a masterpiece of TV and film--just Don and Peggy trying to work out an ad for a suitcase, while really working out their own relationship. Last week's episode, The Strategy, brought them together again.
Peggy seems to be the only one, up until recently, who challenged Don not only about work but about himself. In this season (season 7), to be able to work at the agency again, he had to work UNDER Peggy. He finally accepted it, and although we saw Peggy go from disdain to swelling with sweet revenge over her mentor who hadn't treated her well in the last few seasons, she wasn't entirely comfortable with this arrangement. When they finally meet one-on-one, the friendship and that bond we have watched from the beginning, was reclaimed. Once again, it's Don who believes in her. He tells her to do it her way, as Frank Sinatra's "My Way" plays in the background. Not even Ted, one of the nicer guys in the show (until they have an affair), has said something so direct and empowering to her.
It's not quite paternal with Peggy, but it is interesting too that Don's oldest child is a daughter.
Sally Draper has been witness to some of the most horrifying secrets a child could be exposed to, and she always seems to have a front-row seat to her father's indiscretions. Sally's defiance has always been chided by her mother Betty, but when it comes to Don, he takes a different approach: he tells the truth. But the truth doesn't come easy. Sally challenges her father. There's something about Sally that sees through his bullshit and I think that's a relief to him. When it comes to Peggy, Sally and even Anna and her niece Stephanie, Don can become a completely different person. And perhaps that's because he is a completely different person than we were led to believe.
Perhaps Don's biggest secret in the series, is that he isn't even Don Draper at all. He's Dick Whitman. He became Don Draper after Don died in the Korean War, and Dick assumed his identity. With this new identity, he goes from being a poor orphaned kid who grew up in a "whorehouse" to the slick, smooth, creative genius that tells lies and stories for large amounts of money on Madison Avenue. He became good friends with Anna, the wife of the real Don Draper, until she died. Her niece, Stephanie came to know Don's secret as well. When Stephanie calls Don for help, Megan doesn't want her around. It seems as though Megan fears Stephanie will lure Don away but Megan's got it all wrong, and I think the underlying fear is that Stephanie knows things about Don that Megan still doesn't. This realization for Megan drives her to try desperate things to save their marriage, but in the end, she gives up.
Don lies to women like it's part of his job. He's a genius Ad Man---a creative soul who could've been a free-roaming hippie from a younger generation if it wasn't for his incredible drive to be the best and to take "Don Draper" to limits I don't think he even knows about. His lies, his drunken trysts, his scheming and poor decision-making led him to lose his wife and his job. This past season I enjoyed watching him suffer--he deserved it. But, as I saw him try to not cheat on Megan (and succeed!) and put his ego aside and do the grunt work under Peggy's leadership, I felt like he might be able to redeem himself. Can the world forgive him? Will his efforts make any difference? At the end of the last episode of this half-season finale, he chooses his job and money over anything else, and we see him in the very last seconds as Burt's apparition sings to him "The best things in life are free." It sure has taken him a long time to understand this. But, better late than never.